“Of all the things in the whole world, only photographs have the power to stop time,” says Ram, quite aptly named – for Lord Ram is the trademark of fidelity – who leads life as a travel photographer and mentor. A profession that lets him stay untethered and be constantly on the move while simultaneously allowing him to freeze any moment he deems worthy on celluloid. The juxtaposition of ‘fleeting moments’ and ‘memories that stand still in time’ follow us throughout the movie: while the characters are physically always on the move – in cars, on late night walks on empty roads and in the metro – their conversation and the heart of the story is all about their past love which will always stay unmoving and unchanging two decades behind in time.
So I just
saw experienced Sarkar and I have some thoughts. Not a review, the thoughts aren’t about just this movie rather the state of the average Indian cinemagoer as a whole.
I realise I am quite late to the party but when the movie takes 13 years to show up, I can take a couple of days too. Also, spoiler alert because holding back isn’t really my thing. Also, I’m going to be saying ‘woke’ a lot. You’ll see.