Captain Marvel is right up there with some of the phase one origin stories of Iron Man, Captain America and Thor. When the world was a much simpler place and superheroes were still not so established. But its placement after Infinity War and so close to Endgame makes its stakes feel rather insignificant. Ant-man and Wasp came right after Infinity war as well but that had lovable returning characters whose situation we were worried about during the events of Infinity war. Captain Marvel is a brand new character we’re supposed to get to know now so that her presence in Endgame makes sense – she doesn’t enjoy the popularity of Spiderman who could be directly thrust into Civil War after 10 minutes of chatting with Tony Stark. While it is a great story and a wonderful piece of cinema, the cinematic universe format that Marvel has carved for itself has ended up pushing it into the shadow of the looming threats of Endgame.
“Of all the things in the whole world, only photographs have the power to stop time,” says Ram, quite aptly named – for Lord Ram is the trademark of fidelity – who leads life as a travel photographer and mentor. A profession that lets him stay untethered and be constantly on the move while simultaneously allowing him to freeze any moment he deems worthy on celluloid. The juxtaposition of ‘fleeting moments’ and ‘memories that stand still in time’ follow us throughout the movie: while the characters are physically always on the move – in cars, on late night walks on empty roads and in the metro – their conversation and the heart of the story is all about their past love which will always stay unmoving and unchanging two decades behind in time.
I realise I am quite late to the party but when the movie takes 13 years to show up, I can take a couple of days too. Also, spoiler alert because holding back isn’t really my thing. Also, I’m going to be saying ‘woke’ a lot. You’ll see.